Influenced by surrealism and interested in abstraction, my practice employs experimental photography and mixed-media techniques primarily to self-reflect. Drawn to all things analogue, I combine film photography with alchemic processes to disrupt the development process and physically alter the resulting images. I also layer photographic images with other media to alter them post-development. Central to my process is working with the dual forces of intention and chaos. I deliberately affect chemical emulsions and apply media which cause unpredictable results. These include light leaks, texture, polychromatic colour, and amorphous shapes. I opt not to digitally edit, preferring a tactile approach, organic outcomes, and to embrace aberrations. This approach facilitates emergent meaning, allowing for symbols, patterns, and narratives to be interpreted post hoc by both myself as the artist and viewer. Themes I explore include personal experiences of emotion states, identity, bisexuality, perception (including synesthesia), and existentialism. I hope to evoke introspection and invite open-ended interpretation rather than prescriptive meaning.